This is a collection of my work, which spans the late 50’s to the present day.
In the 50/60’s, my husband and art partner Francis Carr became the first artist in the UK, and probably Europe, to use screen printing as a fine art process. I quickly joined in with him to create hands on limited editions of fine art prints, many of which are represented in major museums and collections in the UK, Australia, and Europe. My husband was probably the first artist to print all his own work by hand.
I went on to use the process for wall hangings, wallpapers (where I designed for the iconic Cole & Son Ltd., textiles, installations and large paintings on canvas. I designed the first new style textile designs for Heals Furnishing Fabrics (see this) for their 1958 range and represented Heals at the Brussels World Fair of that same year.
Seminal fabrics also followed for the then top design companies Textra, Primavera, Turnbull and Stockdale Ltd., and Hull Traders (click link), and in recognition of my contribution, my piece “Moiré” was exhibited at the V&A exhibition, ‘British Design 1948–2012: Innovation in the Modern Age’, 31 March – 12 August 2012 and they also hold various pieces of my art works in a variety of media (see here).
“The Library of Strange Books” took off in the 70’s and has been added to over time. Images are now in The Tate Britain “Ephemera collection” (see here).
“A difficult Book to Read 2” or “Computer Buch” (click here) from the The Sackner Archive of Concrete and Visual Poetry will be included in the forthcoming anthology of paper works, called “RENEGADE – an international collection of visual poetry, language & book arts”.
Hand made paper and recycling fascinated me, as it was a very basic material that we use in everyday life, with its roots in ancient Japan and China. This prompted the formation of the “Paper Group” in 1986.
Art for health and energy has interested me for a long time, especially the “Human Aura”, and the unseen energy around us on a daily basis. This became the title for an event and exhibition at the ICA, in London, in 1970.
For the last 10 years, my work has spilled across the boundaries of art and science. I follow events at CERN, using the experience from the point of view of a visual artist.
My name is Dorothy Carr. As I became a nationally successful and established designer of fabrics, textiles and wallpaper designs for the top interior design firms of that era, I later decided that to branch out and establish myself as an artist who was crossing over boundaries of many disciplines, I needed to have a pseudonym. I chose my father’s mother’s maiden name, Sarah Firmin, just I made a mistake, the spelling should be Firman!
Dorothy Carr, AKA Sarah Firmin